Printmaking Studio and Press
Intaglio, Relief, Screenprint
& Letterpress
– Classes / Workshops
– One-on-One Instruction
– Open Studios
– Memberships
Announcing our 2026 Visiting Artist… Dustin Brinkman!
Dustin Brinkman is an artist and printmaker who uses printmaking, bookmaking, and papermaking to explore themes of identity, gender, and material resonance. Spending most of his life in the Midwest, Brinkman holds a BFA in printmaking from Bowling Green State University 2016 and an MFA in Printmaking from Ohio State University 2021. From 2024-2026, Brinkman served as the Vice President for the Mid America Print Council and currently holds the position of Instructional Assistant Professor of Printmaking at the University of Mississippi.
Drypoint Monoprint Workshop
Saturday, June 13th @ 10am – 2pm
$70 – all supplies included (register below)
Description – In this workshop we will explore the techniques of drypoint, monoprint and selective wiping to create fine line drawings with atmospheric tone. Learn how to hand draw into plexiglass, ink, wipe, and print on an etching press using viscosity rolls to create unique impressions. We will begin with the drypoint carving process, which focuses on line and mark marking and is capable of capturing subtle details. After proofing your carving, we will transition to the monoprint process, which will expand the range of tones and gradation in your images. We have the ability to experiment with various color combinations during the printing process. Students will be given plenty of assistance and hands-on instruction throughout the duration of the workshop. Each participant will leave with their own 5″ x 7″ plexiglass carving which can continue to be printed, along with around 6-8 finished prints!
Artist Talk @ Southern Oregon University
Wednesday, June 10th @ 10:30am
The Meese Auditorium in The Art Building
1250 Siskiyou Blvd. Ashland, OR
Free and open to the public!
Artist Statement: My work is a collage of the fragmented landscape, boundless spaces that need mending. Through the repair and recontextualization of these displaced moments, I interrogate intersections of home, material resonance, gender, and identity. While carving a relief block or washing out a screen I am excavating the past, present, and future, navigating uncertain terrain through questioning and discovery. Upon this unearthing of what lies beneath the surface, I am presented with spaces, events, and truths that have been hidden, by me or from me. Together, each individual layer of information becomes a larger portion of the collective body, a vessel that delineates who, what, where, and why I am. They become a commingled history, a cosmic rhythm that aligns and retracts. These are the internal and external forces pulling and calling out in multiple directions, a thread between the tender and brutal moments of what is and what will become.
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